- Pratarmė / Foreword
-
Roger Redgate.
When is an Orchestra not an Orchestra? -
Marius Baranauskas.
The Structural Elements of the Orchestra: A Theoretical Approach -
Dina Lentsner.
Orchestra as a Marker of Fluid Community in Ēriks Ešenvalds’s Nordic Light Multimedia Symphony -
Marcello Messina.
Disquieting Presences in the Concert Hall: A Tale of Wheelbarrows, Digger Buckets and Other Unusual Objects in Recent Orchestral and Chamber Music from Northern England -
Manos Panayiotakis.
Acoustic Instruments as Primitive Sources for Sound Synthesis in the Orchestral Writing of Edgard Varèse – Arcana and Amériques -
Stephan Lewandowski.
Tightrope Walks and Panorama. Orchestral Techniques in Wilfried Krätzschmar’s Fifth Symphony (2018) -
Mārtiņš Viļums.
Orchestration as Heterophonic Synthesis of Timbres in Mārtiņš Viļums’ Tvyjōraan for Chamber Orchestra -
Vadim Rakochi.
The “Orchestra of Soloists” in Mahler’s Nachtmusik -
Charris Efthimiou.
Compositional Strategies in the Field of Instrumentation of M. K. Čiurlionis’ Miške -
Aleksandra Machura.
Tam. Music for Violin, Voices and Instruments: Orchestra in the Eyes of Rafał Augustyn -
Gražina Daunoravičienė.
Eduardas Balsys’ Dodecaphony and its Contexts -
Judita Žukienė.
Final Chords as a Vivid Reflection of Eduardas Balsys’ Creative Work: Concerto for Violin Solo -
Audronė Žiūraitytė.
Multifariousness of Interpretations of Eduardas Balsys’ Ballet Eglė the Queen of Grass Snakes -
Rimantas Janeliauskas.
National Traits of Timbral Texture in the Symphonism of Dramatic Frescoes by Eduardas Balsys. The Quaternion of the Archetypes of Timbral Texture -
Martin Vishnick.
The London Improvisers Orchestra: A Subjective Review - Apie autorius / About the authors
Muzikos komponavimo principai XIX: orkestras šiuolaikiniuose kontekstuose | 2019
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