Šis leidinys sudarytas iš mokslinių straipsnių, perskaitytų Penktojoje tarptautinėje muzikos teorijos konferencijoje „Muzikos komponavimo principai. Kūrybos procesas“, surengtoje 2005 m. spalio 13–15 d. Vilniuje. Konferencijos prelegentai ypač aktyviai atsiliepė į tris konferencijos potemes: pirmoji – kompozitoriaus kūrybinio proceso specifika, antroji – kūrybos pobūdis ir kompozicija; trečioji – kūrybos proceso tipai ir tipologijos.
Straipsniai
- Pratarmė
- Foreword
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Daiva Račiūnaitė-Vyčinienė.
Sutartinės “Collecting“: a Canon and Creative Process -
Margarita Katunyan.
The New Commentary as the Strategy of Self-identification by Means of Myth -
Audronė Žiūraitytė.
Transformation of Resources in Creative Process: Homage to Fryderyk in Onutė Narbutaitė’s Autumn Ritornello -
Leon Stefanija.
The Idea of the Absolute in Music as an Idea of Processuality: The Case of Uroš Rojko -
Susan K. de Ghize.
Yin and Yang à la Schoenberg: Balance in Brahms’s Rhythmically Developing Variations -
Marta Szoka.
Genealogical Aspects of Creative Process in George Crumb -
Panayiotis A. Kokoras.
Morphopoiesis: Towards a Creative Process of Structuring Form -
Deborah Ungar.
Perception of Time and Reflection in Music: Alfred North Whitehead and Elliott Carter’s String Quartet No. 2 -
Rima Povilionienė.
Influence of Mathematics on the Process of Music Composition in 20th Century -
Martin Wesley-Smith.
Concepts of Audio-visual Composition in My Own Work -
Paul Roe.
A Phenomenology of Collaboration in Contemporary Composition and Performance -
Katya Slutskaya Levine.
The Cultural Exotics or the Art Organism? The Creation of “Jewishness” in Shostakovich’s Music -
Fernando Martin Pastor.
The Perception of a Dynamic Time: Carter’s Riconoscenza per Goffredo Petrassi -
Stephen Downes.
F. Poulenc’s Compositional Diary: A Source for Analysis of Creative Process and Hermeneutic Interpretation -
Shuann Chai.
The Lulu Rondo: A Study of Contextual Representation -
Rimantas Janeliauskas.
Types Creative Activities of Composer -
Paul Ramshaw.
Lost in Music: Understanding the Hermeneutic Overlap in Musical Composition, Performance and Improvisation -
Nico Schüler.
Creative Music Processes as the “Object” of Otto Laske’s Cognitive Musicology -
Rimantas Janeliauskas.
M. K. Čiurlionis‘ Unrecognized Cycle (1907, Druskininkai–Warsaw)