Muzikos komponavimo principai XIV: sonorizmas | 2014

Teoriniai ir istoriniai sonorizmo aspektai / Theoretical and Historical Aspects of Sonorism
- Rimantas Janeliauskas.
  Sonorism of the Second Interval in the Analysis of Lithuanian Ethnomusic and the Compositions by M. K. Čiurlionis and 20th-Century Composers
- Baiba Jaunslaviete.
  Interaction of Sonoristic and Non-Sonoristic Material: Various Aspects of Musical Form and Aesthetics
- Manos Panayiotakis.
  Intervallic Ratios as Keys for the Harmonic Texture Development in György Ligeti’s Melodien
- Andrius Maslekovas.
  Vertical and Horizontal Sonoric Structures as Constructional Elements of Sonoristic Music
- Ben Lunn.
  Sound Plasma
- Rytis Ambrazevičius.
  Psychoacoustical Issues of Dissonance in Lithuanian Sutartinės
Sonorizmas akustinėje muzikoje / Sonorism in Acoustic Music
- Kalliopi Stiga.
  From Tingel Tangel by Georges Aperghis to Le Troisième Jour and Silence... on tourne by Frédéric Daverio: ‘Sonoristic Music’?
- Charris Efthimiou.
  Metallica’s Tone Colour Characteristics of their Riffs (1983–1986) and the Differences between Slayer and the New Wave of British Heavy Metal
- Marta Szoka.
  Cluster in Organ Music: Sound, Typology and Functions
- Ewa Kowalska-Zając.
  Sonorism and Implementation of the Idea of Programmatic Music in the Output of Polish Composers in the Second Half of the 20th Century
- Mārtiņš Viļums.
  Sono-colority as Multi-Dimensional Texture Articulation Principles in Mārtiņš Viļums’ “Tvyjōraan” for Chamber Orchestra
Sonorizmas elektroninėje muzikoje / Sonorism in Electronic Music
- Jonas Jurkūnas.
  The Systematic Grouping of Detection Tools for Properties of Acousmaticity: Binary Tension between Sonority and Pulse
- Anton Rovner.
  Principles of Sonoristic Technique in the Electronic Music for the ANS Synthesizer by Stanislav Kreichi and Other Russian Composers of the 1960s and 1970s
- Justyna Humięcka-Jakubowska.
  Electronic Music and Sonorism
Apie autorius / About the authors

Download complete issue